2022

The city of Tortosa is going to welcome A Cel Obert again in 2021!

A Cel Obert chooses a theme for each of its editions with the aim of creating a common thread that generates conceptual relationships and works as a link between the different ephemeral interventions. For this reason, the jury will assess, among other aspects, the adequacy of the participants vis-à-vis the proposed theme as well as the originality and quality of their interpretation of the concept whether understood in a literal or metaphorical way.

The festival also coincides with the celebration of the European Heritage Days (EHD), where towns and organisations all over Catalonia join in a major celebration of our cultural heritage. That is why we have planned free activities for these days, to bring the richness and diversity of our cultural heritage closer to the public.

RHYTHM

With 2022 marking the centenary of the death of the Tortosa-born musician and composer, Felip Pedrell, the theme of the ninth edition of the A Cel Obert festival is Rhythm.
The spectrum that the concept of rhythm encompasses is as concrete in its meaning as it is plural in its aspects: rhythm of life, circadian rhythm, biological rhythm, respiratory rhythm, or sinus rhythm. But also musical rhythm and compositional rhythm. In addition, rhythm of reading, poetic rhythm, visual rhythm, rhythm of light or natural rhythm.

Human evolution has been linked, probably intuitively and unconsciously, to understanding what it is and how the rhythm of things works. Rhythm is an internal structure that temporarily defines everything that happens and everything that happens to us: it is who regulates the content of things and also the continent of them. Without rhythm, there would be no order and nothing could be organised. Chaos would reign continuously, and nothing would be possible except for those moments where chance and coincidence will it.

1 [Comm.] Proportion of time between various movements, sounds, phenomena, or repeated acts.

1 [Comm.] In a succession of sounds, syllables, beats, etc., a way of succeeding and alternating strong and weak, long and short, especially that which occurs periodically in a musical phrase, in a verse, in a beat, etc.

2 [Zool.] Succession, at regular intervals, of contractions of the muscles of the heart.

Source: Institute for Catalan Studies, Dictionary of the Catalan Language.

 

1. Regular order in the succession of things.

2. Perceptual sensation produced by the combination and regular succession of syllables, accents and pauses in, especially poetic, speech.

3. Proportion maintained between accents, pauses and repetitions of various durations in a musical composition.

Source: Royal Spanish Academy, Dictionary of the Spanish Language.

SPACES AND INTERVENTIONS

A CEL COBERT

PRACTICAL INFORMATION

JUDGES

Once again, A Cel Obert will have a first-class panel of judges made up of well-known professionals from the world of architecture, plastic arts and design. Based on the theme chosen for this edition, Rhythm, the judges will assess, among other relevant aspects, the participants’ adaptation to the proposed theme and their originality and quality in capturing the concept in their ephemeral interventions, whether this is understood literally or metaphorically.

Maria Bernad

Art director, designer and co-founder of the A Cel Obert festival.

Studied Projects and Direction of Decoration Works and a diploma in Graphic and Interior Design from EAD Llotja. She currently works as an art director at Anthesis Lavola, a company specialising in the field of sustainability.

She is the co-author of several ephemeral works and has won the Silver Emporia award in this field, at the 2018 National Awards for Ephemeral Architecture.

Xènia Gaya

Founder of Col·lectiu Cultura, a project that brings together her professional career with her passion, connecting people through culture.

Graduated with a degree in Design from Elisava, Barcelona and a postgraduate degree in Cultural Management and Policies from the UB (University of Barcelona). She specialises as a freelancer in the field of production and funding research for cultural events. She works as a production manager in the sponsorship department of the Sónar festival and also heads up the sponsorship department of the O Marisquiño festival. Based in Terres de l’Ebre, she created Col·lectiu Cultura, a platform to highlight the professional cultural world in non-metropolitan areas.

Cinta Masdeu

Architect and board member of the AADIPA (Association of Architects for the Defense and Intervention in the Architectural Heritage) of the COAC (Architects’ Association of Catalonia).

Degree in Architecture Studies from the ETSAB – UPC (Barcelona School of Architecture), postgraduate specialisation in “the architect in the service of Public Administration”, postgraduate in Urban Management and postgraduate degree in Urbanisation from the COAC Sert School. She completed her training in the fields of urban planning, landscape and architectural heritage. She participates annually in the International Conference on Intervention in Architectural Heritage organised by AADIPA. She currently works as an architect in the local public administration.

Marc Aureli Santos

Architect, Director of the Urban Architecture and Heritage Services of Barcelona City Council and representative of ARQUIN-FAD (Fostering Arts and Design – Interdisciplinary Association of Space Design).

Degree in Architecture Studies from ETSAB – UPC (Barcelona School of Architecture), Master’s in Architecture from the UPC (BarcelonaTech) and Master’s in Public Administration Management from the UPF (Pompeu Fabra University). In 1987 he began working in the field of administration and in 1993 he founded, together with various architects, ACTAR arquitectura, a studio linked to the publishing world related to architecture and photography.

He has participated in many international architectural competitions, at the Metapolis Festival of Advanced Architecture and also at various conferences on the rehabilitation of historic centres and heritage.

He has taught at the UIC (Barcelona International University of Catalonia) and the ETSAB, collaborated with various international organisations such as MIT (Massachusetts Institute of Technology), the schools of architecture in Monterrey, Genoa and New Jersey, and with BAC in Barcelona. Since 2017 he has been the Director of Urban Architecture and Heritage Services at Barcelona City Council, where he is responsible for promoting the city’s architecture and heritage at a public and private level.